Poetry – RIPM Jazz

78 Quarterly (Brooklyn, NY, 1967-1968; Key West, FL, 1988-1995, 2000, 2002)

“When 78 Quarterly first appeared in 1967, it was the most sumptuously prepared periodical on blues and jazz 78 rpm records of its time, with

American Jazz Monthly (Whitestone, NY, 1944-1945)

Continued by: American Jazz Review (New York, NY, 1945-1947)

Band Leaders and Record Review (Mount Morris, IL, 1946-1947)

Preceded by: Band Leaders (Mount Morris, IL, 1943-1946)
Continued by: Radio and Record Stars (Mount Morris, IL, 1947)

The Baton (Detroit, MI, 1941-1943)

Continued by: The New Baton (Dunellen, NJ, 1944-1945)

Big Apple Jazz (New York, NY, 1977)

Change (Detroit, MI, 1965-1966)

Different Drummer (Rochester, NY, 1973-1975)

Esquire's Jazz Book (Chicago, IL; New York, NY, 1944-1947)

Expansions (New York, NY, 1971-1975)

Good Diggin' (Portland, OR, 1947-1949)

Numeration irregularities: Vol. 3 (1949) skips no. 2.

The Grackle (Brooklyn, NY, 1976-1979)

“Ron Welburn began his prolific career in music (and literary) criticism in the late 1960s. He helped found the important journal The Grackle in 1976.

Jazz [First Series] (Forest Hills Station, NY; New York, NY, 1942-1943)

Continued by: Jazz [Second Series] (New York, NY, 1944-1945)

The Jazz Link (San Diego, CA, 1988-1991)

Jazz Notes (Indianapolis, IN, 1957-1965)

Lacunae: Vol. 1; Vol. 2 no. 3, Vol. 5 no. 1. A copy of these issues could not be located.

Jazz Quarterly (Kingsville, TX, 1942-43; Chicago, IL, 1944)

The Jazz Review (New York, NY, 1958-1961)

“Founded by Nat Hentoff, Martin Williams, and Hsio Wen Shih in New York in 1958, The Jazz Review was the premier journal of jazz in

Jazz Spotlite News: African-American Classical Music/Jazz (New York, NY, 1979-1980)

Jazz Today (New York, NY, 1956-1957)

Jazz: The Metronome Yearbook (New York, NY, 1950-1959)

Lacunae: 1952 (vol. 3). A copy of this issue could not be located and may never have been published.

Metronome (New York, NY, 1932-1961)

Lacunae: Vol. 64 no. 3. Although Metronome began publication in 1885, in 1932/33 the journal began shifting its editorial focus to jazz. Included here are the

Metronome - Music U.S.A. (New York, NY, 1959-1959)

Music and Rhythm (Chicago, IL, 1940-1942)

“With its lurid headlines and daring (for the early 1940s) ‘cheesecake’ photography, Music and Rhythm was clearly intended as a commercial venture. Its general tone